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The British Crown Jewels

The British Crown Jewels

Eight centuries of royal regalia and the world's most storied gemstones

Legend, lore & famous stonesView in dictionary · 2,190 words

The British Crown Jewels constitute the most celebrated collection of royal regalia in the world: a treasury of crowns, sceptres, orbs, swords of state, rings, spurs, and robes assembled over more than eight centuries and held in trust for the nation by the reigning sovereign. Housed since 1661 in the Jewel House at the Tower of London, the collection is not merely an accumulation of precious objects but a living constitutional instrument — the physical embodiment of the monarchy's continuity, its sacred authority, and its relationship with the people it governs. At its heart are gemstones of extraordinary historical significance: the Koh-i-Noor, the Cullinan diamonds, the Black Prince's Ruby, and the Stuart Sapphire, among dozens of others whose individual histories span continents and dynasties. No commercial valuation has ever been placed on the collection; it is considered, in the fullest sense of the phrase, priceless.

History and Formation of the Collection

The origins of English royal regalia extend to the early medieval period, though the present collection dates almost entirely from after 1660. The catastrophic rupture came during the Interregnum: following the execution of Charles I in 1649, Parliament ordered the destruction or dispersal of the existing Crown Jewels, which were melted down, sold, or scattered. The medieval regalia — including pieces said to date to Edward the Confessor — were irretrievably lost. When Charles II was restored to the throne in 1660, an entirely new set of regalia was commissioned for his coronation in 1661, and it is this Restoration-era core that forms the foundation of the present collection.

Subsequent centuries brought additions through conquest, gift, purchase, and inheritance. The acquisition of Indian subcontinent territories under the East India Company and later the Crown introduced some of the collection's most famous stones. Queen Victoria's proclamation as Empress of India in 1877 deepened the symbolic connection between the British monarchy and the gem-producing regions of South Asia. Further pieces were added for specific coronations — most dramatically in 1911, when new crowns were made for the Delhi Durbar — and the collection continues to evolve, with pieces occasionally lent, restored, or newly incorporated.

The Koh-i-Noor Diamond

No stone in the collection carries a more complex or contested history than the Koh-i-Noor, whose name derives from the Persian koh-i-noor, meaning "mountain of light." The diamond weighs 105.6 carats in its present form, a figure that represents the outcome of a controversial recutting carried out under Prince Albert's supervision in 1852. Before that operation — performed by Coster Diamonds of Amsterdam — the stone weighed approximately 186 carats in an Indian-style cut that many contemporaries considered insufficiently brilliant by European standards. The recutting reduced the stone by nearly half and transformed it into an oval brilliant, a decision that remains debated by gemmologists and historians alike.

The stone's documented history begins in the Mughal Empire, where it appears in records from the early seventeenth century, though legends of its existence extend considerably further back. It passed through the hands of successive Mughal emperors, was seized by the Persian conqueror Nader Shah in 1739, returned to Afghan and then Sikh custody, and was finally ceded to the British Crown under the terms of the Last Treaty of Lahore in 1849, following the annexation of the Punjab. It was presented to Queen Victoria and displayed at the Great Exhibition of 1851 before the recutting.

The Koh-i-Noor is currently set in the Platinum Crown made for Queen Elizabeth The Queen Mother for the coronation of King George VI in 1937. It sits at the front of the crown in a setting designed to display it to maximum effect. The stone has been the subject of formal repatriation requests from India, Pakistan, Afghanistan, and Iran; successive British governments have declined to return it, citing the Crown Jewels' status as inalienable public property under the terms of the Crown Jewels Act. The gemmological identity of the stone — a Type IIa diamond of Indian origin, colourless with exceptional transparency — is not in dispute; it is its ownership that remains a matter of international political sensitivity.

The Cullinan Diamonds

The largest gem-quality rough diamond ever found, the Cullinan, was discovered in January 1905 at the Premier Mine in the Transvaal, South Africa, and weighed 3,106.75 carats in the rough. The Transvaal government purchased it and presented it to King Edward VII as a birthday gift in 1907. The stone was sent to Amsterdam, where the firm of I.J. Asscher & Co. cleaved and cut it into nine major stones and approximately ninety-six smaller brilliants and polished fragments.

The two largest polished stones from the Cullinan rough — Cullinan I and Cullinan II — are set in the Crown Jewels and represent the largest and second-largest colourless cut diamonds in the world.

  • Cullinan I (The Great Star of Africa): 530.2 carats, a pear-shaped brilliant of exceptional clarity and colour, set in the head of the Sovereign's Sceptre with Cross. It can be removed and worn as a brooch. At the time of its cutting it was the largest polished diamond in the world, a distinction it held until the discovery and cutting of the Golden Jubilee Diamond in the 1980s.
  • Cullinan II (The Second Star of Africa): 317.4 carats, a cushion-shaped brilliant set in the front of the Imperial State Crown, directly below the Black Prince's Ruby. Together with Cullinan I, it represents an unparalleled concentration of gem-quality diamond material in a single institutional collection.

Both stones are Type IIa diamonds — the chemically purest category, free of nitrogen impurities — and display the exceptional transparency and colourlessness characteristic of the finest South African production. Cullinan III through IX are held by the Royal Family as personal jewellery rather than as part of the Crown Jewels proper, and have occasionally appeared at auction valuations and in royal portrait sittings.

The Black Prince's Ruby

Despite its name and centuries of misidentification, the Black Prince's Ruby is not a ruby at all but a large red spinel, weighing approximately 170 carats in the rough-polished, irregular cabochon form in which it has been preserved. Spinel and ruby were not reliably distinguished from one another until the development of systematic mineralogical analysis in the eighteenth and nineteenth centuries; both were referred to generically as carbuncles or rubies in medieval and early modern usage. The stone is now set at the front of the Imperial State Crown, above the Cullinan II diamond.

Its documented history begins in fourteenth-century Iberia. The stone was owned by Abu Said, the Moorish Prince of Granada, from whom it was taken — by murder, according to most accounts — by Pedro I of Castile in 1367. Pedro subsequently gave it to Edward of Woodstock, Prince of Wales, known to history as the Black Prince, in payment for military assistance at the Battle of Nájera. It passed to Henry V, who reputedly wore it on his helmet at the Battle of Agincourt in 1415, and it survived the destruction of the Interregnum regalia, having been sold and later recovered. Its survival across six and a half centuries of warfare, political upheaval, and institutional dissolution is remarkable by any measure.

Red spinel of this size — particularly material of Burmese or Central Asian origin with the saturated, slightly purplish-red hue characteristic of the finest specimens — commands significant prices in the contemporary market, and the Black Prince's Ruby would, if it were to be assessed commercially, represent one of the most important individual spinels known. Its historical significance, however, renders any such assessment essentially academic.

The Stuart Sapphire and St Edward's Sapphire

The Imperial State Crown contains two sapphires of considerable historical interest, each with a distinct provenance.

The Stuart Sapphire, an oval cabochon of approximately 104 carats, is set in the back of the Imperial State Crown. Its name derives from its association with the Stuart royal line: it is believed to have been among the jewels carried into exile by James II when he fled England in 1688, and it passed through the hands of his descendants — the Jacobite claimants — before being acquired by George III's son Augustus Frederick, Duke of Sussex, and eventually incorporated into the Crown Jewels. It is a blue sapphire of good colour, though its precise origin has not been established by modern gemmological analysis in any published record.

The St Edward's Sapphire is a flat, rose-cut stone of modest size set in the cross pattée at the top of the Imperial State Crown. It carries the most ancient provenance of any stone in the collection: tradition holds that it was taken from the ring of Edward the Confessor when his tomb was opened in 1163, and that it was subsequently incorporated into successive pieces of royal regalia. If the attribution is accurate — and it cannot be verified by modern scientific means — the stone would have been in continuous royal possession for nearly nine centuries.

The Imperial State Crown

The Imperial State Crown is the most jewel-laden object in the collection and the one most frequently seen in public, worn by the sovereign at the State Opening of Parliament and carried in coronation processions. The present crown was made in 1937 for the coronation of George VI and refurbished in 1953 for Elizabeth II's coronation. It contains, in addition to the Cullinan II, the Black Prince's Ruby, the Stuart Sapphire, and the St Edward's Sapphire, some 2,868 diamonds, 17 sapphires, 11 emeralds, 269 pearls, and 4 rubies, set in silver and gold. The frame is deliberately constructed to be as light as possible — the crown weighs approximately 1.06 kilograms — since it must be worn for extended ceremonial periods.

St Edward's Crown and the Coronation Regalia

St Edward's Crown is the centrepiece of the coronation ceremony itself, placed on the sovereign's head at the moment of crowning by the Archbishop of Canterbury. It is used for no other purpose. The present crown, made for Charles II in 1661, is constructed of solid gold and set with hired gemstones for each coronation — the stones are not permanently fixed — though for Charles III's coronation in 2023, the crown was set with stones from the Royal Collection rather than hired gems, a departure from recent practice. It weighs 2.23 kilograms, making it physically demanding to wear.

The broader coronation regalia includes the Sovereign's Orb (a hollow gold sphere surmounted by a cross, set with diamonds, rubies, emeralds, sapphires, and pearls, symbolising Christian sovereignty over the world), the Sovereign's Sceptre with Cross (containing the Cullinan I), the Sovereign's Sceptre with Dove, the Coronation Ring (set with a large ruby and a sapphire cross), and the Spurs of St George. Each object carries specific liturgical and constitutional meaning within the coronation rite.

The Tower of London and Public Access

The Crown Jewels have been housed at the Tower of London since the reign of Henry III in the thirteenth century, though the present purpose-built Jewel House, opened in 1994, represents a significant upgrade in both security and visitor experience. The Tower of London is managed by Historic Royal Palaces, an independent charity, and receives several million visitors annually, making the Jewel House one of the most visited museum galleries in the United Kingdom.

The collection has survived several theft attempts, most notably the audacious effort by Colonel Thomas Blood in 1671, who came remarkably close to making off with the crown, orb, and sceptre before being apprehended at the Tower gates. Security arrangements today are, needless to say, considerably more sophisticated.

Gemmological Significance

From a strictly gemmological perspective, the Crown Jewels represent a unique concentration of historically significant material whose scientific study has been limited by the obvious constraints on access and sampling. The Koh-i-Noor's Type IIa classification has been established by spectroscopic analysis; the Black Prince's Ruby's identification as spinel rather than corundum has been confirmed by modern testing. The Cullinan diamonds' extraordinary size and quality have been extensively documented. However, many of the collection's stones — particularly the historic sapphires and the numerous smaller diamonds and coloured stones set throughout the various crowns — have not been subjected to the kind of systematic gemmological investigation that would be routine for comparable stones appearing on the open market.

This lacuna is itself historically instructive: the Crown Jewels exist outside the normal circuits of commerce, certification, and trade. They are never offered for sale, never submitted to grading laboratories, and never appraised for insurance in any conventional sense. Their value is constitutional and symbolic as much as material, and the gemstones they contain derive much of their significance from the objects they adorn and the ceremonies in which those objects participate.

Repatriation and Ethical Debates

Several stones in the Crown Jewels are the subject of active repatriation claims. The Koh-i-Noor is the most prominent, but the broader question of how objects acquired during the colonial period should be treated in the twenty-first century is one that the collection inevitably raises. The legal position of the Crown Jewels under British law — they are held in trust for the nation and cannot be disposed of by the Crown — means that any repatriation would require an Act of Parliament, a threshold that no British government has shown willingness to cross. The debate is unlikely to be resolved in the near term, and it forms an increasingly prominent part of the public and scholarly discourse surrounding the collection.

Further Reading