Roberto Faraone Mennella — Italian-American Sculptural Designer
Roberto Faraone Mennella — Italian-American Sculptural Designer
The Naples-born co-founder of Faraone Mennella whose oversized 18-karat gold and enamel work bridged Italian goldsmithing and contemporary American statement jewellery
Roberto Faraone Mennella, born in Naples in 1971, is an Italian jewellery designer and co-founder of Faraone Mennella, the New York-based jewellery house he established with his partner Amedeo Scognamiglio in 2002. The house was known for bold, sculptural designs in 18-karat gold combined with vibrant enamel work, semi-precious stones, and decorative motifs drawn from the Italian artisanal tradition. Faraone Mennella reached a particular audience among editorial clients, celebrity wearers, and the contemporary fine-jewellery market in the 2000s and 2010s, before the partnership wound down in the late 2010s.
Origins in Naples and Torre del Greco
Faraone Mennella's design vocabulary is rooted in the Italian Mediterranean tradition of cameo carving, coral working, and sculptural goldwork as practised in Torre del Greco — the coastal town near Naples that has been the principal centre of Mediterranean coral and cameo carving since the early nineteenth century. Both Faraone Mennella and his partner Scognamiglio came from families with deep roots in the Torre del Greco trade. The Faraone family in particular has multi-generational presence in Italian goldsmithing, and the technical foundation of the house drew on this inheritance.
The New York house
Faraone Mennella established the eponymous house in New York in 2002, building a presence in the contemporary fine-jewellery market that drew on both the Italian artisanal tradition and the bold, statement-jewellery register of contemporary American design. The collections combined oversized silhouettes — large hoop earrings, sculptural cuffs, statement rings — with traditional Italian techniques: hand-engraving, enamel firing, cameo carving, and the use of coral and Mediterranean coloured stones.
The visual register was intentionally dramatic. Pieces were scaled to be visible across a room, with surface treatments and stone settings designed for editorial and red-carpet visibility. The house's aesthetic positioning was distinct from the more restrained register of the major Italian fine-jewellery houses and aligned more closely with the statement-jewellery designers of the contemporary American scene.
Distribution and recognition
Faraone Mennella distributed through fine-jewellery retailers in the United States and through editorial placement in fashion publications. The house attracted celebrity clientele including Madonna, Sarah Jessica Parker, and others whose adoption of pieces drove broader market recognition. Editorial coverage in Vogue, Harper's Bazaar, and similar publications positioned the brand at the intersection of fashion and fine jewellery.
The Amedeo connection
Amedeo Scognamiglio, Faraone Mennella's partner, also operated the Amedeo brand, which focused more directly on contemporary cameo work in the Torre del Greco tradition. The two brands operated in parallel and shared the technical and design foundation of the Italian Mediterranean tradition, with Faraone Mennella addressing a broader fine-jewellery market and Amedeo focused on cameo as a specialty.
Closure and aftermath
The Faraone Mennella partnership wound down in the late 2010s, with the brand ceasing new production. Pieces from the active production years circulate in the secondary market and at auction, with provenance to the brand and to the Italian-American period material to value. The Amedeo brand continued under Scognamiglio's separate direction.
In the trade
For dealers and collectors of contemporary Italian-American statement jewellery, Faraone Mennella pieces represent a documented period in which Naples-rooted technique met New York-scale design ambition. Authenticated pieces carry the house hallmark and serial documentation. The work is stylistically distinctive and tends to be readily attributable on visual grounds, but verification through hallmark and documentation is recommended for higher-value pieces.